{"id":89372,"date":"2026-10-12T15:05:20","date_gmt":"2026-10-12T21:05:20","guid":{"rendered":"https:\/\/politicosaldesnudo.com.mx\/?p=89372"},"modified":"2026-10-12T15:05:20","modified_gmt":"2026-10-12T21:05:20","slug":"centro-de-las-artes-indigenas-a-20-anos-la-verdadera-deuda-historica","status":"publish","type":"post","link":"https:\/\/politicosaldesnudo.com.mx\/index.php\/2026\/10\/12\/centro-de-las-artes-indigenas-a-20-anos-la-verdadera-deuda-historica\/","title":{"rendered":"Centro de las Artes Ind\u00edgenas a 20 a\u00f1os: la verdadera deuda hist\u00f3rica"},"content":{"rendered":"

PRIMICIAS<\/strong><\/span><\/p>\n

Por: Vicente Mart\u00ednez<\/strong><\/span><\/p>\n

He cubierto Cumbre Taj\u00edn durante los \u00faltimos diez a\u00f1os y he sido testigo de sus alcances como uno de los proyectos culturales m\u00e1s importantes de Veracruz. Por eso, al conmemorarse los veinte a\u00f1os del Centro de las Artes Ind\u00edgenas (CAI), es inevitable preguntarse qu\u00e9 ha pasado con aquella grandeza que imaginamos para la cultura totonaca.<\/span><\/p>\n

Mi expectativa es que Cumbre Taj\u00edn y el CAI recuperen su fuerza y proyecci\u00f3n. Reconozco la labor de quienes integran este proyecto y mantienen vivos los conocimientos ancestrales; sin embargo, al Centro de las Artes Ind\u00edgenas le hace falta mucho m\u00e1s apoyo del Gobierno del Estado. Su trayectoria necesita recursos suficientes, mejores condiciones laborales y una pol\u00edtica cultural permanente.<\/span><\/p>\n

Un dato que conoc\u00ed durante la celebraci\u00f3n m\u00e1s reciente refleja parte de esta problem\u00e1tica: los talleristas recib\u00edan alrededor de dos mil pesos por sus actividades de lunes, mi\u00e9rcoles y viernes. Detr\u00e1s de esa cantidad hay personas que se trasladan desde sus hogares, consiguen materiales y preparan clases para transmitir sus conocimientos. Las \u00e1reas de Cultura y Turismo deben asumir su responsabilidad y garantizar condiciones dignas para quienes preservan este patrimonio.<\/span><\/p>\n

\"\"<\/p>\n

La cultura no puede sostenerse \u00fanicamente con voluntad. Su protecci\u00f3n requiere presupuesto, inversi\u00f3n y decisiones p\u00fablicas que permitan mantener estas actividades durante todo el a\u00f1o, no solamente durante los d\u00edas del festival.<\/span><\/p>\n

Tambi\u00e9n es indispensable reconocer a Marta Soledad G\u00f3mez Atzyn, al maestro Humberto Garc\u00eda y a Romualdo Garc\u00eda de Luna, quien preside Consejo Supremo Totonaca, por su labor en favor de la identidad y las tradiciones de este pueblo.<\/span><\/p>\n

En las p\u00e1ginas de La Jornada Maya encontr\u00e9 la columna de Salom\u00f3n Bazbaz Lapidus, \u201cEl Centro de las Artes Ind\u00edgenas, 20 a\u00f1os de grandeza cultural\u201d, donde recupera la historia y la visi\u00f3n que impulsaron Cumbre Taj\u00edn. Su propuesta buscaba revalorar los sitios arqueol\u00f3gicos como ciudades sagradas, reconocer a los guardianes de la tradici\u00f3n y convertir el festival en un detonante cultural y una escuela de arte, cultura, tradici\u00f3n y tolerancia.<\/span><\/p>\n

Esa visi\u00f3n iba m\u00e1s all\u00e1 de organizar un encuentro tur\u00edstico: pretend\u00eda dignificar los conocimientos ancestrales y fortalecer la identidad de los pueblos originarios. Por eso, los veinte a\u00f1os del CAI tambi\u00e9n deben servir para revisar qu\u00e9 hace falta para sostener y proyectar este legado.<\/span><\/p>\n

Durante la primera jornada del aniversario se destac\u00f3 que el Centro lleva dos d\u00e9cadas sembrando identidad, dignidad y esperanza, manteniendo viva la voz de los pueblos originarios.<\/span><\/p>\n

\"\"<\/p>\n

En la segunda jornada, el Xtaxkgakget Makgkaxtlawana, El esplendor de las y los artistas, vincul\u00f3 el aniversario con la Resistencia Ind\u00edgena y la cosmogon\u00eda totonaca. Las plantas que vuelven a brotar, los ciclos de la naturaleza y la tierra que se renueva sirvieron como referentes de la permanencia de los pueblos originarios y de los conocimientos que sobreviven al paso del tiempo.<\/span><\/p>\n

Estos mensajes expresan el sentido profundo del Centro de las Artes Ind\u00edgenas. No obstante, la mejor manera de honrarlo es garantizar que sus maestros y talleristas tengan las condiciones necesarias para continuar su labor.<\/span><\/p>\n

Veinte a\u00f1os representan una trayectoria importante, pero tambi\u00e9n una tarea pendiente. La cultura totonaca no puede considerarse \u00fanicamente un atractivo de Cumbre Taj\u00edn: es una cultura viva que merece respeto, inversi\u00f3n y continuidad.<\/span><\/p>\n

Despu\u00e9s de diez a\u00f1os de cubrir el festival, sigo reconociendo su importancia y la entrega de quienes participan en \u00e9l. Mi cuestionamiento es la falta de respaldo suficiente para mantener la fuerza de aquella visi\u00f3n.<\/span><\/p>\n

La grandeza cultural de Veracruz tambi\u00e9n debe medirse por la dignidad con la que trata a sus maestros, los recursos que destina a preservar sus tradiciones y la capacidad de convertir el reconocimiento de los pueblos originarios en una pol\u00edtica p\u00fablica permanente.<\/span><\/p>\n

Esa es mi expectativa con Cumbre Taj\u00edn y el Centro de las Artes Ind\u00edgenas. Esa es tambi\u00e9n la deuda que el Gobierno del Estado todav\u00eda debe atender.<\/span><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

PRIMICIAS Por: Vicente Mart\u00ednez He cubierto Cumbre Taj\u00edn durante los \u00faltimos diez a\u00f1os y he sido testigo de sus alcances […]<\/p>\n","protected":false},"author":4,"featured_media":89377,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[26],"tags":[3562,3561],"class_list":["post-89372","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-columnistas","tag-primicias","tag-vicente-martinez"],"yoast_head":"\nCentro de las Artes Ind\u00edgenas a 20 a\u00f1os: la verdadera deuda hist\u00f3rica - 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